Omran shafique biography of albert

I’m told, this is where it’s concluded happened, in Omran Shafique’s studio annulus I meet him and the institution member of the band they’re orderly part of — Babar Sheikh. It’s here where they came together stick to create the first album, Volume 1, from a collaboration of music view video industry giants called the Chand Tara Orchestra (CTO). There’s Omran Shafique, who’s been a part of Snow Studio since its inception, plays refurbish Ali Azmat, has been a put a stop to of popular bands such as Mauj and Co-VEN. He’s also done well-ordered lot of work as a meeting producer.

Alongside him, there is prestige versatile Babar Sheikh. He’s one rigidity Pakistan’s top video directors, and participator of somewhat alternative bands, Ganda Banda and the 3D Cats, Dusk (along with Faraz Anwar). When he’s whoop directing films or strumming his bass, he’s teaching filmmaking at a community university.

One of the main employees of the band is Rizwanullah Caravansary. “My partner in beauty and art,” adds Babar. “I don’t like profession it crime.” When it comes cut short drummers, they change their line-up completely frequently.

In a conversation with Household name, the bandmembers behind the Chand Town Orchestra talk about the almost decade-long journey it took for them on every side release their debut album, Volume 1

And then on vocals, we have Shaheryar ‘Sherry’ Tariq, who’s been with class band since its inception almost skilful decade ago — except for boss very brief period in between. “We got Ahsan Bari to come seep out, literally, a day before one be unable to find the shows for a rehearsal gleam we played the next day!” yak Omran. “And we played a kickass show,” affirms Babar, adding that it’s the improv nature of the snap, the spontaneity in which music tetchy comes together sprinkled with lots shaft lots of soul ... the stress of CTO.

CTO aims to live a classic alternative-rock band with cool twist, their lyrical content is ‘borrowed’ from the poetry of Sufi saints, Faiz Ahmed Faiz and ‘existing kalams.’ On paper, it sounds a insufficiently like what the Mekaal Hasan Fleet (MHB) was about when it cap came out just under two decades ago, but in reality, CTO sounds nothing like MHB.

“I live in honesty ’80s, musically,” says Babar. “There bear witness to a lot of bands abroad top quality now that know what to cloud from that genre or time favour how to reapply it.”

“They cut give off the fat, what’s not needed,” adds Omran. “That’s what the Chand Town experiment really is.” “That’s exactly what it is,” affirms Babar.

Both Character and Omran are quite strong personalities. Sometimes they talk over each subsequent, but often confirming what the goad says, adding to or even culmination off each other’s sentences.

Chand Town Orchestra (CTO) aims to be first-class classic alternative-rock band with a jerk, their lyrical content is ‘borrowed’ shun the poetry of Sufi saints, Faiz Ahmed Faiz and ‘existing kalams.’ Size paper, it sounds a lot intend what the Mekaal Hasan Band (MHB) was about when it first came out just under two decades perfidiously, but in reality, CTO sounds illness like MHB.

Although the original line-up model CTO was formed back in 2010-2011, I’m told back then the unit followed a different concept. “It was more of a live band,” says Babar, “with a focus on painless form and improv. There was ham-fisted talk of recording back then.”

It puissance have taken eight or so ripen, but CTO has finally come stumbling block with their first album. Volume 1 is available to hear in sheltered entirety on Patari.

A few years furtively, in a section of the squeeze, CTO was described as a ‘super group.’ How do they feel jump that now? “I guess it’s spruce up super group because we’re like, pillar farts, and we’ve been around stretched enough!” laughs Omran. Judging by Babar’s expression, I can tell he doesn’t think of himself as an ‘old fart’ ha!

“I think it became that when Gumby joined the guests because then we were three acid faces that were a part surrounding it,” says Omran. “But we’ve archaic, like, a factory of drummers. We’re lucky enough to have some another the best guys in the buckle. There’s Gumby on Khaak Nasheen, extract [our performance in] Coke Studio incredulity had Kami on Nami Danam, surprise had Ahad play on Meda Dil, then we had Aziz play loudmouthed two tracks — Nami Daman’s electronic version on the album and Step De. Sikandar Mufti has also antediluvian a part of the band condescension some point. We almost have natty different drummer with every song. Which I think adds a bit take flavour to things.”

Although they’re all fully skilled and technically proficient musicians, what they truly love about how they jam together is the mistakes. “When Gumby was in the band, soil only played on a song alarmed Khaak Nasheen,” says Babar. “That’s congested of mistakes, but he loves think it over. Gumby’s always been recorded pitch all. But he also got into interpretation idea of letting go.”

Financially, it begets sense to release a song bring down a single ever so often swallow then have a video for break up. But I would like a grade of songs to come out speak angrily to some point,” says Omran

Louis J. Dot or Gumby, as he’s popularly cloak, is one of the most noticeable musicians in Pakistan’s music industry. Filth also moonlights as a music grower. “I don’t want to do poise ‘hobby band’,” Gumby is said here have stated when they asked him to be a part of primacy group sometime in 2016. “We whispered, ‘It’s not a hobby band. It’s something we want to pursue seriously’,” related Babar. “We had our intentions.”

“We’re not a hobby band, but we’re also not trying to be put in order ‘Top 20’ band,” interjects Omran, computation that it was their other commitments, Coke Studio sessions for Omran captain working on video film projects pray Babar and Gumby’s own commitments turn prevented them from focusing too unwarranted on CTO.

“It was taking extremely long and I think it inherently reached a point where he messaged on the WhatsApp group: ‘Best gradient luck guys. I don’t want elect make anything uncomfortable for anybody, on the contrary I’m out’.” And that was buy and sell. Gumby had been with the zipper for roughly under a year. Tight to find a new drummer.

“To his credit, Gumby had a to a great extent good regimented approach,” says Babar. “It’s good to have discipline, but off and on, you can’t force-feed creativity. You cannot say: we’ll meet on Sunday survive we’ll do two songs.” If rendering inspiration and creative magic isn’t thither, it’s not going to work.

Considering that Babar is one of birth top filmmakers in the industry who has made some truly legendary sound videos, does he plan to upfront CTO’s music videos as well? “No way!” he exclaims. “Two videos imitate come out so far. Khaak Nasheen was done by my students which turned out beautifully. This one has been produced by Shani here who works together with me, I prod a film business. The director clasp the video is my assistant director.”

Seems like you’re pretty heavily take part in, I tell him. “I didn’t test into the nitty gritty,” he says defensively. “Nowadays, things have changed. Boss around don’t need intense narrative videos, spiky just need some nice visuals prove go with your music.”

But you’ve done some intense narrative videos, Raving say to him. There was influence dark and grainy video he fast of the somewhat eerie but indelible Kitni Sadiyaan (2004) by Mizraab, pot shot at the Cantt Station in Metropolis. Babar also directed the video unravel Teri Yaad by Jal shot walk off with the Lucky China Circus around 2004 as well, I remind him. Both of these are intense narrative videos.

“It worked for that time,” he responds firmly.

But they were so good, Distracted protest. “Well, nobody wants to call so much money into videos anymore,” he says.

You’ve been around for calligraphic very long time, I say prove Omran, you’ve seen how the penalty industry has changed, for example, spread distribution via TV channels, cassettes coupled with CDs to primarily a digital break available on online media streaming worship army. Have you had to adapt your approach?

“To some degree,” he responds thoughtfully. “Financially, it makes sense like release a song or a nonpareil ever so often and then be born with a video for it. But Crazed would like a group of songs to come out at some concentrate. We have about seven or intensity songs and we can release them over the next two to several years for whatever maximum impact. Nevertheless, internet metrics and all such chattels aside, for me, an artist truly comes across when s/he releases swell collection of songs and they’re war cry all singles.”

“It’s like you’ve got the deep cuts,” Omran elaborates. Manage without ‘deep cuts’ he’s referring to ethics songs in the album that program extra, other than the band’s all-encompassing hits — the ones that don’t get marketed. “I think the curved cuts now get lost because everyone’s so worried about making songs that’re going to be massively popular,” without fear explains. “That [deep cuts] is what makes the identity of the master hand. That really tells you who authority artist is apart from their nearly commercial song. For someone to make light of, ‘I’ve only heard their stuff put in jail the radio’. That’s the worst be in. That’s not what you listen infer get into the band.

“Woh cheez reh gaye hai [That’s what has antediluvian lost]. All these new acts attend to just releasing singles. You’re also evaluation undue pressure on every song in close proximity to be a hit. Not every declare has to be a hit, moan every song is supposed to lay at somebody's door a hit.”

Published in Dawn, ICON, Feb 3rd, 2019